Burkina

I left Niamey, the capital of Niger, last Sunday morning, October 26th. I painted some decent watercolors in Niamey, and came to know my host family a little better: uncle Mahumud and I discussed travel plans in sign language and diagrams, little Habibublai taught me some Fulani by naming animals I drew for him, and I got along in a formal, cordial way with Mr. Alzouma, the patriarch of the family. They took good care of me and set me up with their relatives in Tera, down the road in the western tip of Niger, another family that was really kind to me. They had at least ten kids, I couldn't count and neither could they.

West of Niamey, across the Niger River and across to Burkina the landscape became truly fantastic. Where before it seemed bleak, here it seemed majestic, biblical even. The land is hot and flat and dry, and small fields of millet and sorghum punctuate a vast backdrop of sparse green trees and dry grass. Sheperds tend flocks of goats and gaunt, wild-looking cattle, women gather firewood, people wash in the occasional watering hole, all of them dressed in billowing robes and scarves and headwraps. When you add to this a very religious people, with names like Ibrahim (Abraham), Issaka (Isaac) and Zara (Sarah) it really seems like you're two thousand years back in time.

(I should also say that while this part of the world is almost entirely Muslim, and life comes to a halt five times a day for prayers, it's not at all like the fundamentalist Muslims you read about in the paper. I honestly feel no animosity from them.)

From Tera I went on to Dori, in Burkina Faso. The speed of travel in Africa depends almost exclusively on the quality of the road, so this 100km stretch took an entire day. I waited four hours while passengers slowly gathered, and then took off in the back of a burly Toyota 4x4 pickup. It was by far the funnest ride I've ever had in my life, and it's a real shame riding in the back of a pickup is illegal in the States. We were crammed a dozen people and a goat in the bed of the truck, another dozen on the roofrack, and heaps of sugarcane and baggage strewn about. The 'road' was in fact a series of converging and diverging sand tracks, with plenty of potholes and ridges that left us flying all over each other for the rest of the day. We stopped many times, border checks, prayers, food, unloading and loading, and by nightfall I landed in Dori.

In Dori I reconnected with a Peace Corps volunteer I had briefly met in Grand Popo. Yaneth let me crash on her couch, and it was just really great to relax for a few days, to speak English, to have a conversation with similar cultural references, to find real vegetables at the market and cook food again, to let someone else take charge. I got to know Dori a bit, we visited an orphanage where she volunteers and played with the kids, and we took a trip to nearby Bani to see a series of mud-brick mosques built in the 1970s by a latter-day Islamic prophet.

From Dori I travelled with Yaneth to Ougadougou--the capital of Burkina Faso. Ougadougou is a surprisingly sophisticated city: big buildings, restaurants, traffic lights, traffic that's merely stressful and not terrifying, a city that somehow keeps the choas of Africa at bay (we did however see a crocodile in a creek just outside of downtown). We met up with a bunch of other Peace Corps volunteers, and I spent two days forgetting I was in Africa: We went out to western restaurants, relaxed and swam in the International School's pool, read English magazines, and visited Siao, a big, biannual arts and crafts and music festival. Morale was high among this group, they were kind to make room for me , and it was definitely a high point of the trip.

This morning I left for Ouahigouya, a depressing border town on the way to Mali.

Sahel

I left Cotonou early Tuesday morning, October 21, for the long busride to Kandi in the north of Benin. It was a rare, comfortable, western-style bus, playing pop music and WWF wrestling as we passed endless miles of flat African countryside. The landscape changed slowly from the greener coast to a drier soil, less underbrush and more grass, people in longer, billowing clothing, more mosques. I was nervous, hoping each stop was not mine and glad for the comfort and safety of the moving road.

I stayed in Kandi one night, made a bad watercolor from the rooftop of my sweltering hotel room, walked around Wednesday morning along wide dusty streets, stopped in a cafe and made a watercolor of one of the guys there, amused crowds gathering around me.

From Kandi a short 'bush taxi' ride to the village of Alfa Kouara, on the edge of the large 'Parque National du W.'

Bush taxis are the main transport linking smaller villages in West Africa, and they're a chaotic, cramped, unbelievable way to travel. The taxis, either station wagons or old peugot's, are banged-up, creaking, moving wrecks, complete with cracked windshields and missing mirrors. On the inside they invariably smell like gasoline, but to beat the headache and roll the windows down you have to first ask the driver to pass the handcranck, and forget about seatbelts, locking doors, working speedometers, or other luxuries. They don't leave until fully loaded, which means four people plus kids in each row, and three, sometimes even four, in the front (that makes eleven and sometimes twelve adults plus kids in a station wagon). I once sat in a taxi where the driver shifted gears between a passenger's legs. The luggage is strapped to the roof -- huge bags of grain and miscellaneous pots and baggage, often taller than the car itself, laboriously loaded and unloaded at each stop, which means every ten or fifteen minutes. At the larger taxi stations, and sometimes the smaller stops, inevitable arguments about who-knows-what...the roads aren't too good either, paved but little wider than a suburban street in the States, sometimes more potholes than smooth surface.

The park entrance at Alfa Kouara was officially closed for the rainy season, but I got a ride in on a motorcycle anyway, really fun, and beatiful, colorful, long-tailed birds, a troop of monkeys, but none of the big mammals. Ate a meal of paté with the park rangers at night under a thousand stars, and shared a nasty mix of pastisse and syrup, their preferred drink at a nearby 'bar'(I declined to sniff the tobacco powder mixed with 'medicaments').

On Thursday a short ride from Alfa Kuoara to the border town of Malanville, lingering long enough to send some postcards, then the police check and a walk across the bridge spanning the Niger River, Africa's third longest, and into the country of Niger.

Niger is immediately different. At the bus depot at Gaya, a beautiful tall woman with a glossy, blind eye, henna-painted feet, long black headscarf, praying with a crying baby on her back. Miles and miles of even drier and bleaker countryside, now only mud huts instead of cinderblock, thatch traded for corrugated roofs. Many stops, police checks, stops for prayer, who-knows-why stops. People don't always smile back when you smile, or wave when you wave, and they don't ask for gifts unless they really really need it. People who don't speak French. Thinner people, more 'Ethiopian' features, longer wraps, solid colors mixed with the ubiquitous patterns of the coast, headscarves, muslim hats, clothing taken out of a Rafael painting. More cripples, more deformities, a man in a white headcap and his adolescent child with an impossibly small head, eyes right out to the perifery, like someone you might have seen at the circus a hundred years ago. Sweltering heat, forgot to bring enough water, cramped bus, my seat tilted seat in the aisle with luggage, people climbing over each other at each stop.

Arrived in the capital of Niamey Thursday night well after dark, was supposed to stay with relatives of Abdullay from Grand Popo but didn't dare venture into the periferies that late, found a taxi driver I trusted and a hotel. Issaka picked me up in the morning, and I found a city much calmer than I feared, wide streets, spread out city, not unnerving and polluted like Cotonou. Errands, visa for Burkina, bank, phone, tour of the city, a break at Issaka's and two watercolors, the first good ones on this trip, of him and his wife. Stronger colors, more agressively painted. His wife only spoke Hauossa, both had long tribal scars across their cheecks, I couldn't tell if she minded me there. A watercolor on the bank of the Niger, women washing clothes, across to the Harobanda district where I met Abdullay's family. Kind to offer food and shelter but little chit-chat. A maze of alleys, courtyards, mud houses, slept outside under a mosquito net, woke up predawn with a bad dream and the call for prayer, painted the crescent moon rising over the rooftops.

Planning to leave Niamey tomorrow or Monday for Burkina Faso.

Moving Forward

My painting residency finished and I left Villa Karo and the village of Grand Popo this morning. By the end this strange place and unlikely collection of people started to feel a little like home. There was Jaakko, the Finnish intern, with whom I travelled to Togo among other adventures; Liz, the American peace corps volunteer who brought a little good-old-USA with her; Kaisu the older Finnish painter I connected with; Boris the vegetarian carpenter who never failed to bring a smile; Marcel the raggedy, drooling speach-impaired kid who never left us alone, but who was too adorable to chase away; the family of Adrienne and Francoise and their six kids, who farmed and hunted crabs and lizards for a living and were so warm to me; Abdullaj the easy-going Fulani night guard, who cheerfully ascribed every misfortune to fate, and with whom we shared many funny, mosquito-laced conversations, Victor who guided me safely across the seedy side of Cotonou, and many many many others. It was sad to leave but I left properly, said my goodbyes, didn't leave things unresolved...I'm leaving with less baggage than I came with.

In the end I did make some paintings, although painting here never ceased to be difficult and I'll have to finish most of them in the States: A flowering, overgrown garden, a painting of Abdullay, the night guard, a painting of the sea at sunset, palms in moonlight, two portraits, and maybe a dozen small watercolors.

So I'm leaving, but I'm not going home yet. I'm single for the first time in a long time, I have no apartment, no studio, not really a city to call home, I have no shows scheduled, and it occurred to me that I have no reason to return to the States just yet (although sadly I'll miss the election). I have enough cash from my open-house show in August to keep me going another month or two, so if I want to see the Sahara Desert, if I want to ride a camel or float down the Niger River or sit on an overcrowded train for two days straight...then why not?

I'm in Cotonou tonight, and tomorrow I'll start a one-way trip across West Africa.
I'll travel alone with a small, efficiently-packed backpack and a colorful new watercolor-bag made by Florence, the energetic local seamstress. I got a faux-hawk haircut last night courtesy of Liz and Jaakko, as a kind of going-away-ritual, and it feels great and anyway no one here knows what white people's hair should look like. I've looked at maps and talked to people and made a plan, I feel good and strong and I'm ready to go.

If all goes well I'll travel through Benin to Niamey in Niger, across northern Burkina Faso, up to Mali through the Dogon country, to Timbuktoo and the edge of the Sahara, then up the Niger River to Bamako and across to Dakar, leaving Africa in early December.

I'll write again soonish.